BESEMER-SCHULZ

This project explores Berlin’s Tegel Airport through digital manipulation. Using stock images, I applied low-fi stretching techniques in Photoshop to distort and reframe its familiar Brutalist forms. The process abstracts and reinterprets the structure, stretching time and space within the image—much like an airport distorts the experience of movement and waiting. The final compositions play with perception, creating a sense of acceleration and suspension, echoing both the transitory nature of air travel and the fading presence of Tegel itself.